Dearly, Departed

NetGalley has the author of Dearly, Departed as LISA Habel, but I'll go out on a limb and bet the novel's lovely and dark cover has the right of it with LIA. You with me?

Mulitple author identities aside, I greatly enjoyed my first encounter with a Habel work. Released just this month, Dearly, Departed (yes, comma intentional)  encompasses the stories of a group of people, chaptered through their individual viewpoints, which range from disenfranchised post-apocalyptic "New Victorian" misses who miss natural propriety by a wide margin, all the way to military-approved and maintained undead with more heart (even if its entirely static) than the average high-class NV resident, with several types of character between.

So what happens if the world goes to hell in a natural-disaster-fiber-woven basket? It seems people regroup in more southerly climes, and a couple centuries later nothing really changes . . . well, except for The Lazarus  (or Laz) virus. The world still experiences class disparity, disagreements in political strategy,  and disputes regarding the place of technology. The world is the world.

At least, until Miss Nora Dearly--daughter of famed medical scientist Victor Dearly, deceased for the past year--becomes the Winner's prize between two contestants: First, the folks who know about the Lazarus virus, which reanimates a dead body to varying degrees of sanity and retained humanity, and want the government and someday the world to differentiate between the slobbering masses of undead only concerned seeing to their cannibalistic drives and the undead perfectly capable of controlling themselves, possessed of their "living days" personalities and restraints.

Secondly, the folks who know of the Laz, and want every single body infected with it torched in the nearest available fashion, regardless of mental or moral state.

Nora is important to both factions. Nora is a key piece of flesh in the fight.

In a time when the Laz rages from person to person via bodily fluids, threatening all humanity, Nora Dearly, brave, feisty, hot-tempered, and open-minded, and much-loved--eventually by the dead and alive alike . . . 

Nora Dearly is immune.

I had some minor gripes with this YA novel (somewhat slow, clunky beginning; somewhat rushed, abrupt end--though being the first of a trilogy, that must be given some leeway; and a couple too-close-to-the-line Twilight-esque moments), but all-in-all the book engaged me enough, I didn't mind. I truly enjoyed reading the book. I connected with the characters, which I feel were well-developed and 3D, including the secondary characters. The bonds between the love interests rang true, as did the familial bonds, and the bonds between close friends. I totally bonded with their bonds, and that's reason for high praise from me.

Was Dearly, Departed perfect? No. Was it worth buying (even though I was lucky enough to have access to free copy)? Yes. If you don't have the cash right now, get it from your library. It's a nice escape, without being too fluffy. Not a beach read, take it with white chocolate cocoa and your Snuggie.

Anna Dressed in Blood

★★★★½

Anna Dressed in Blood by Kendare Blake

It's a love-hate relationship for me. I love reading spooky tales, but I hate how scared I get after reading them. I've been known to scare myself witless after reading ghost stories. Oh, I'm fine while reading; it's afterward when I have to turn out the lights and every noise or shadow shifts into its true nightmaric form that I huddle shivering under the covers.

No, I'm not a 12-year-old girl. I'm a grown woman who's been doing this with scary books since she was 12. You'd think I'd have outgrown it by now, or at least given up reading the scarier ones. You'd be wrong.

So what is it about Anna that had me eagerly anticipating a frightful night hiding under the blankets? Here's the basic premise: a teen ghost hunter kills the dead who kill the living. The ghost of a murdered girl tears apart anyone who enter her house. Then the kicker: The ghost spares the life of the ghost hunter, even while killing others around him. Mystery? Yup. Intrigue? Oh, yeah.

To say that the story is creepy would be putting it mildly, but that's not what makes this book so fascinating. From the horrifying first encounter with Anna, the story progresses from mystery to secrecy, and, yes, even to romance. Anna is a fully fleshed-out character (badum-ching!) who becomes increasingly complex as the story progresses. I have to say, she was my favorite part of the book.

I honestly didn't get as scared as I thought I would, but that's a good thing because I stayed up much too late finishing it. One straight shot through the whole book. It really was that good.

The rating was docked half a star because I might have over-hyped it in my mind a bit, leading to a tiny bit of disappointment, but not enough to ruin how much I enjoyed it overall. (I'm probably hyping it a bit too much here, too. Oops.) I'm hoping that the sequel (Yes!) will deliver that last half star to make this an incredible series. 

For an author's debut, this is very well done. I'm definitely keeping an eye on Kendare Blake. There are delicious frights to be had in future books, if Anna Dressed in Blood is any indication.

Note: For those who are sensitive to language and violence, this has both. While it's aimed at YA readers, I'd suggest it's better suited on the older end of that spectrum.

Beyond the Grave

★★★★

Beyond the Grave by Mara Purnhagen

This will be a rather short review because I've already gushed enough about this series previously. When I slip into these books, I lose track of time and get fully immersed in the story.

Needless to say, I enjoyed Beyond the Grave, though not quite as much as the first two. Still, this is an excellent series and one I heartily recommend. 

If what I heard is correct, this is the final book in the series. If I have any influence, I would say "Keep on keepin' on" with the series. I'm not nearly tired of reading about Charlotte and her family yet.

Thanks to NetGalley and the publisher for a review copy of the book.

The Restorer

★★★¾

The Restorer by Amanda Stevens

As I've mentioned before, I'm a sucker for a good ghost story, even when it scares the schnikeys out of me.  The Restorer is one of those creepily good stories that goes for the perfect chilling factor.

Book one in the Graveyard Queen series (doesn't that just sound so awesome?) introduces us to Amelia Gray, a cemetery restorer who sees ghosts. These aren't Casper-friendly ghosts, either. These are scary, wet-the-bed nightmarish ghosts, so Amelia has held to her father's edict to never let ghosts know she can see them. She's done a good job—until now.

How could a ghost story get even better? Add in genteel Southerns entrenched in secret societies and sacrificial murders, plus a handsome potential love interest with a mysterious past, and you've got a realistically fright-worthy read.

While this book is published by Harlequin, it focuses more on the mystery than the romance, which I really appreciated in this story. I'm definitely looking forward to the sequel.

Thanks to the publisher and NetGalley for an advance copy.

The Dead Tossed Waves

in·de·ci·sive
Function: adjective
1 : not decisive or final <an indecisive battle>
2 : finding it hard to make decisions <an indecisiveperson>

fick·le
Function: adjective
: likely to change frequently without good reason :<fickle friends> 

un·sym·pa·thet·ic

adjective /ˌənˌsimpəˈTHetik/  (of a person) Not friendly or cooperative; unlikeable - a totally unsympathetic character

Before I get started on the current book review, let me just say I loved Carrie Ryan's debut novel, The Forest of Hands and Teeth. LOVED. As many other readers, I was completely taken with the emotionally horrific tone that relied on heartbreak and bleak outlooks rather than gore or mindless terror. The book perfectly captured the subtlety and true frights of a nightmare world, and--in my opinion--settled in the same strata as Stephen King's more thriller-oriented offerings such as his Dark Tower series and his cult classic, The Talisman (a personal favorite of mine).

One doesn't have to have read Ryan's Forest to engage with its companion novel (set some fifteen-ish years later), The Dead-Tossed Waves. In fact, not having read Forest might be considered a perk, as the first 300 or so pages of Waves so closely mirrors its predecessor, they could almost be the same book. Swap some names around, tweak the setting, and voila! They're interchangeable.  Or, if you need a visual aid, please refer to Mr. Swayze's version of this point:

Thank you, Patrick. Second verse, same as the first, indeed!

All that aside, the reasons for the definitions above. They describe my main impressions of the narrator and main character, Gabry. While the writing style--with the exception of some places I felt tried too hard--holds up in quality to Ryan's first offering, the things that kind of irked me in Forest have returned in Waves to explode into full-on loathing. In the two-or-less weeks of Gabry's story she waffles between "loving" two boys, wanting and not wanting a different life, being petulant or dismissive of things she doesn't appreciate, and cowardice and courage . . . sometimes within minutes of each other. She wants Boy A she's known her whole life, no, wait, she wants Boy B she just met and who keeps freaky company. No, no, Boy A is going to kiss her! She wants him! No, Boy B, who's just brushed her hand with his!  She wants to stay safe in her little village. She wants to escape her little village. She wants to live/ there's no point to living anymore!

What's meant to create conflict, suspension and a sense of always being on the cusp of something epic only irritates and makes Gabry seem like one of the most stupid girls on the planet. Are we supposed to think the mind of a post-Return youth is conditioned towards such blatant abuse of free will? That people are so desperate they'll clutch at whatever is closest to their grasp, just like the constantly-moaning, constantly hungering Mudo? I don't. But then, my loyalty streak is as wide as my stubborn streak.

I will put this in the positive column, however: I very much enjoyed the addition of a certain sect of deviant characters. I won't spoil anyone with how or why I say 'deviant', but I don't mean it in the pop-culture sense of the word, but the traditional meaning. I thought their inclusion was a very nice foil layer, and their actions went far to ensure some doubt about the mental state/noble motivations of one of the potential suitors. Niiice.

Unfortunately, that admiration isn't enough to get The Dead-Tossed Waves out of a Bypass. Sorry.

Past Midnight series

 

Past Midnight and One Hundred Candles by Mara Purnhagen

I've always been a fan of ghost stories, even when they terrified me to the point of huddling under the covers with only a tiny air hole open at top, so not even a ghostly breeze could touch me.*

Thing is, I've loved good spooky stories without being overly horrifying or gory, but sadly I haven't seen many good ones crop up in middle grade or young adult fiction over the past few years.

Enter Mara Purnhagen, who has written creepy ghost stories that make me want to burn the candles late into the night as I read, even with the possibility that I won't be able to sleep in a creaking house later. The premise struck me immediately—the daughter of ghost debunkers is followed home by the spooks that apparently don't exist—the writing and characterization are solid enough to provide a captivating story.

While her books will probably be classified as paranormal romance, I prefer to think of them as magical realism. These ghosts are the goosebumpily realistic kind that could potentially happen to anyone—if you believe in ghosts. Maybe even if you didn't.

Both books are good, solid stories, though I was more captivated by the first, Past Midnight. There is also a short story, Raising the Dead, touted book 1.5, that I've downloaded to my Kindle but still waits to be read. Book 3, Beyond the Grave, comes out August 30, 2011. I have an advance copy, so expect a review to come shortly.

Overall, I enjoy this series and look forward to Purnhagen's forthcoming titles.

*I haven't done that since I was a kid. Well, not really.

Thanks to Harlequin Teen for review copies of both books.

Savannah Grey

Savannah Grey by Cliff McNish

It’s incredibly rare that a book manages to vault itself onto my “favorite books ever” list within the first two paragraphs. Only one book comes to mind, at least within recent memory: The Graveyard Book by Neil Gaiman captivated me by the first line. Now I’ve found a second: Cliff McNish’s Savannah Grey, and it did so with incredible force.

What did it? Paragraph number 2: “Reaching number thirty-three, Savannah Grey’s house, the Horror dropped its star-shaped head on one side, knotted its murderous claws behind its back, and tried to work out the most entertaining way to reach Savannah’s bedroom. There were many ways available, but the Horror was young and like all young things, it liked to use its teeth.”

How, I ask, can a book be dull with an opening like that? I was immediately captivated. Not even the change in narrative styles to first person once Savannah awoke diminished the storytelling. I was delighted when I saw that the original voice returned every few chapters to detail more of the Horror and the ancient Ocrassa that controlled it. Neither voice suffered, instead offering a depth to the already compelling story.

While the human characters were well crafted, the monsters came to life with a vibrancy that made me want to see the child-like Horror prance about in a stolen leotard and chasse and leap about while terrorizing humans. The way McNish tells of the Ocrassa’s history is as though he is telling of the Earth itself, incredibly powerful and moving. While explicitly evil, the Ocrassa is rendered in such a way that its actions seemed logical given what it was. I’ve never seen a writer make monsters feel so natural in our world. It’s incredible and not something I can accurately express in a brief review.

In addition to all this, the book ends exactly where and as it should. While there are some flaws (which I’d daresay are minor in comparison to its incredible strengths), I’ve read so few books that seemed nearly perfect in so many ways. This is one you have to read for yourself. Although many of you may disagree with my thoughts, you can’t read this and not wonder at the incredibly rich and original universe McNish created here. It’s astounding.

Thanks to Carolrhoda and NetGalley for the review copy.

Three Quarters Dead

Three Quarters Dead by Richard Peck

The lyrical language and complicated emotions in this book is astounding. The fact that Peck, a well-aged gentleman (and he is a true gentleman, which you can tell upon meeting him), can channel the thoughts and voice of a teenage girl is incredible. You can be sure Richard Peck has found a new fan.