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Showing posts with label She Says/She Says. Show all posts
Showing posts with label She Says/She Says. Show all posts

Saturday, March 3, 2012

Incarnate by Jodi Meadows, A She Said/She Said Review

Hi, Amethyst here. I'm taking lead for this round of She Said/She Said. Why? 'Cause I finished the book first, s'why. In fact, I finished Jodi Meadows's debut novel Incarnate about forty-five minutes ago. I purchased it yesterday, and to be fair, I did have a 70-page head start before I began reading last evening.

I'd say it's a fifty-fifty split as to how I'm finished with Incarnate; fifty per cent, I'm kind of a sprinter when I read, so if I like a book, I tend to like it in fast forward, and secondly, Jodi's novel accomplishes earning both the descriptions "light" and "full. On the one hand, Jodi has an almost unconscious stream-of-conscious (say that five times fast) charm. Knowing her outside of the author/reviewer format, I can tell you, Jodi's bouncy enthusiasm and kitten-like perplexity shine right through, even in main character Ana's most wrought moments. On the other hand, I never got the feeling Jodi didn't respect the gravity of the sometimes monstrous events taking place in Ana's life, and her world. Even with the subtle touch uncertanties were uncertain, fears were fearful, and warm fuzzies were dandelions poofs at the height of summer.

What did I like best? The Almosts. The almost kisses. The almost weepings. The questions almost answered. I love the way Jodi managed to make me (metaphorically) lean forward so far out of my seat I ALMOST fell out of it, and yet, never once did I actually face plant into the carpet. There was that subtle grace again, the grace of almost.

What didn't I like? Yes, as much as I enjoyed Incarnate, I do have one or two gripes. First of all, the math of things was confusing. I'm no stranger to math confusing me, but even I generally get the gist within real applications such as generations and ages. Even for a necessarily convoluted (and very cool) concept, the numbers seemed to contradict each other more than they lined up. Maybe because I was reading too fast? I wanted a clearer explanation of the term "quindec" than what I gleaned from context clues. Also, early on in the book I was under the impression people had only been around for about a thousand years, but later it's stated they'd been living and turning through the revolving door of reincarnation for at least five millenia, not one. Trying to get the two things to agree in my head was a bit of a draw out.

My other gripe is a lack of Author Photo. Jodi's really cute. The world deserves to get to Awwww over the cute that is Jodi Meadows.

Last but not least, it should be mentioned, I read a copy of Incarnate I purchased, so it was as polished as need be. Michelle, lucky early bird, was blessed to have been granted an e-ARC, compliments of NetGalley. This means her copy may have been slightly different than mine, and therefor might (or might not!) reflect in her review (which I have not yet seen).

I bought the book, so I think that's a pretty clear Buy, right?

Thursday, September 22, 2011

Oh . . . HI THERE!!!!

Free Stuff! Stuff! That's Free!
Including our opinions, but nothing's perfect, right?

Introducing Libri Ago: Book Lives, a website run by two chicks who have just enough in common (and just enough out of it) to be interesting; who are well-read enough to know what they're talking about; well-connected enough to host Grand Opening contests wherein the prizes are AWESOME-SAUCE book-related stuff.
(And some random-esque Flair, but everyone needs more Flair)


We're celebrating our fiftieth review by going public and giving away bookish goodies to owners of watchful eyes!


First up, the awesome-sauce swag all together and chummy.



Plus, the bracelets, which Amethyst modeled personally.
(matrimonial jewelry and incredible marriage not included)


Prize A
This Prize includes an ARC of Steampunk! An Anthology of Fantastically Rich and Strange Stories, which features stories by Cassandra Clare, Holly Black, Libba Bray, Garth Nix, Cory Doctorow and several other authors; a preview pamphlet, dual-sided, with samples from Cassandra Clare's upcoming Infernal Devices novel, Clockwork Prince, and Holly Black's third Curse Workers series, Black Heart; various bookmarks, a Mockingjay tat, and two Flair buttons.




This here is most of Prize B. We'll also be including a copy of Cindy Pon's novel, Silver Phoenix.
This prize includes: Two book prints by artist Phoenix Lu, a Fury of the Phoenix bookmark, tattoos from Angel Burn by L.A. Weatherly, and Suzanne Collins's Mockingjay, and a small "Trust me, I'm a ninja' Flair.


Silver Phoenix, the story of Ai Ling, a young Asian woman who discovered supernatural powers within herself when dangers from without threatened life as she knows it, as well as imperiling her future.


Prize C
NOTE: We ask participants competing for Prize C be sixteen years of age or older, as part of the prize includes more mature materials.
Will include Black Magic Sanction by Kim Harrison, an Alcatraz cell key from that novel, The Body Snatcher bracelet,  signed post card for  Julie Particka's Pretty Souls, Angel Burn and HP7 tats, three Flair buttons, and a bookmark.



Grand Prize!
This prize includes: Signed copy of Lisa Yee's Absolutely Maybe, signed book card from Mary E. Pearson's The Miles Between, You Are What You Read: Pass It On bracelet, Vampire Academy and Mockingjay tats, mini bio Lisa Yee bookmark, Clockwork Prince/Black Heart excerpt pamphlet, The Pull of Gravity by Gae Polisner Flair, and two random Flair.



So, how does one go about winning one of these enviable prizes? I'm glad you ask.

For the next four weeks Michelle and I (Amethyst) will put up one of the four prizes, each having its own theme. Contestants will have the week following the post to represent the related theme in any way, any medium (with the normal provisos discouraging offensive content). Go forth and interpret with your personal creative vision, be it plushie, illustration, video clip, original song lyrics, or even cake ddecor; what have you.

So what's the theme for Prize A?
You'll just have to bookmark the site and come back tomorrow, when we'll announce it.

So, to sum up, contest FOR PRIZE A starts tomorrow at 9:00 A.M and entries will be accepted and considered through 11:59 P.M. of next Friday,  September 29th, 2011. Entries will need to be placed or linked-to in the comments of each relevant post and need to include contestant info and contact email.

Good luck, and may the Force be with you!

In the meantime, you can look look to the right where you have the option to "Like" Libri Ago on Facebook, share about us on Twitter, and add Libri Ago posts and reviews to your Blogger or RSS feed.  Doing so won't get you any closer to winning the contest, but it'd really put us in a fantastic mood.  We're small, and cute, and we look really good wearing good moods.

Thanks in advance!
Mish! and Ames

Thursday, September 1, 2011

Wildefire


Wildefire by Karsten Knight

Amethyst


Dude. No, Seriously. Dude. In case you wonder if I'm one of the "several people" mentioned below in Michelle's review who disliked the level of violence, rest easy. I'm cool enough with that. The GD-bomb being dropped on the first page I wasn't exactly happy about, or with the following profusion of profanity, but that wasn't what burned me on the first 135 pages of Knight's first novel.

In a nutshell, the whole thing up to that point seemed to scream at me, "Trying WAY too hard". Trying too hard to sound like an authentic teen, trying too hard to be "edgy", trying too hard to make the reader empathize with the main character. For the first 135 pages I just kept thinking, "No," and mentally shaking my head. Between the over-compensation and the wealth of passive voice (a personal peeve), I got knocked out of the story more often than I got pulled into it.

And then something changed. Suddenly the writing grew more confident, more comfortable with itself, and the story--which is very cool--began to shine through. Sure, there were still some features that felt contrived, but all in all, once Knight hit his stride, it was all downhill, baby. Easy. And intriguing. And curiouser and curiouser (even if I tagged the villian the second he/she showed . . . assuming the character is the real enemy (oooo!).

That's fantastic.

I will admit the copy I read was an ARC, an uncorrected proof, so my version may not have been the final say in how the book came out. Perhaps Knight tightens up those first several pages. Perhaps he fixes that confusing time-frame/flashback sequence at the end, and for goodness' sake, let's hope he learns to love a closing comma, because the phrasing suffers without it, but mostly, Wildefire has potential. You'd probably be pretty safe BUYING it, or BORROWING it, either way.

P.S. Gorgeous cover.

Michelle

★★★½

I found Karsten Knight's Wildefire a refreshing take on paranormal romance since it deals more with plot and characters than many of the I-loved-you-before-I-even-saw-you books out now.

There were some things I thought the author did well with his debut, and others that were poorly done or that I really didn't like. But the story is compelling, especially since it incorporated gods and mythology from across the globe.

The plot itself—reincarnated gods meeting each other at a private school in the California redwoods—might seem like a rather popular recent middle grade series *cough*Percy Jackson*cough* but this one is completely different in tone and target audience. There is little chance that these two would be mistaken for each other.

The opening sequence is somewhat violent, and though it didn't bother me too much, I've heard from several others who really didn't like it. I saw it as setting up the characters for the rest of the story. The first few chapters are basically back story, there to establish what got Ash to the boarding school, so the subsequent actions seem fitting with the beginning. 

I wouldn't say to necessarily let the first chapter dissuade you from reading the rest of the book, but there is (perhaps worse) violence later on, so it's definitely something to consider.

My biggest peeve, however, was that Ash often sounded masculine throughout the book. I'd originally thought she was a jock tomboy from her actions and dialogue, but later she's described as girly and cute, and those two didn't mesh for me. 

While I enjoyed most of the book, I really struggled with the climax of the story. It felt a bit overblown, like so much was happening that the characters got lost in the action.

I'm hoping the sequel is better because I love the revelation near the end that one character is actually my favorite god in all of human mythology. There are so many ways to have fun with that character.